Directed by Philippe Garrel • Drama • With Logann Antuofermo, Oulaya Amamra, André Wilms • 2020 • 101 minutes
Veteran filmmaker Philippe Garrel once again fashions a pinpoint-precise and economical study of young love and its prevarications, which ever so gradually blossoms into an emotionally resonant moral tale. Handsome Luc (Logann Antuofermo), following in his aging father’s footsteps to study the craft of furniture joining, doesn’t appear to have any trouble meeting and dating women; as the film opens he’s aggressively courting Djemila (Oulaya Amamra) at a Paris bus stop. Skeptical yet ultimately trusting, Djemila will not be Luc’s one and only. Constructed and composed with crystalline austerity, and co-written with Jean-Claude Carrière and Arlette Langmann—who collaborated on Garrel’s last two films, In the Shadow of Women and Lover for a Day —The Salt of Tears is a pocket portrait that demonstrates the persistent vitality of one of French cinema’s great observers of the callowness of youth.
“A heady mood of refined melancholy underpinned with aspects of contemporary politics… (with) an ecstatic dance scene that embodies the elusive dream of happiness.” —Richard Brody, The New Yorker
Directed by Thierry de Peretti • Drama • 2018 • 107 minutes
A VIOLENT LIFE focuses on the violent nationalist struggles that plagued director Thierry de Peretti’s native land Corsica in the 1990s. Stéphane (Jean Michelangeli) moves to Paris to flee his past. The death of a former comrade brings ...
Directed by Maurice Lehmann • Drama • With Fernandel, Michel Simon, Arletty, Hélène Robert • 1939 • 106 minutes
Fernandel was a 20th-century French phenomenon – once he emerged from supporting roles in the early ‘30s, with his inimitable equine mug, enormous incisors and friendly eyes, he comman...
Directed by Philippe Garrel • Drama • With Louis Garrel, Anne Mouglalis, Rebecca Convenant, Olga Milshtein, Esther Garrel • 2013 • 76 minutes
One of the major French filmmakers of the post-New Wave, Philippe Garrel has belatedly been recognized as a master in America, and JEALOUSY may be his mos...
