Directed by Bill Morrison • Documentary • 2004 • 8 minutes
"In Light Is Calling, a deteriorating scene from James Young's The Bells (1926) was optically reprinted and edited to Michael Gordon's seven-minute composition. The aesthetic of Morrison's film is inexorably intertwined with many of Michael Gordon's pieces. We watch a decomposing film reel of a soldier who meets a mysterious woman in the woods. A meditation on the random and fleeting nature of life and love, as seen through the roiling emulsion of an ancient film. Morrison's short was made through the process of reshooting decomposing black and white film, and the result is a dreamy, melting, light-drenched scene."—The Viennale
"Ecstatic! In which bodies and movements dissolve in swirling waves of golden light, the film's decay radiating as a glorious self-immolation."—Maximilian Le Cain, Senses of Cinema
"Heart-stoppingly beautiful."—Zoetica Ebb, Coilhouse Magazine
Directed by Tracey Moffatt • Drama • 1987 • 16 minutes
This stylistically daring film audaciously explores the history of exploitation between white men and Aboriginal women, juxtaposing the “first encounter” between colonizers and native women with the attempts of modern urban Aboriginal women ...
Directed by Cynthia Scott • Documentary • 1983 • 5 minutes
This Oscar-winning film is a visual and emotional thriller. It is an impressionistic record of a flamenco dance class given to senior students of the National Ballet School of Canada by two great teachers from Spain, Susana and Antonio R...
Directed by Natalie Bookchin • Documentary • 2017 • 24 minutes
A riveting polyphonic documentary, NOW HE'S OUT IN PUBLIC AND EVERYONE CAN SEE presents a fractured narrative about an unnamed man whose racial identity is continually redrawn and contested by clusters of impassioned narrators. This ...
