Directed by Sam Cullman, Jennifer Grausman and Mark Becker • Documentary • With Mark A. Landis • 2014 • 90 minutes
Mark Landis has been called one of the most prolific art forgers in US history. His impressive body of work spans thirty years, covering a wide range of painting styles and periods that includes 15th Century Icons, Picasso, and even Walt Disney. And while the copies could fetch impressive sums on the open market, Landis isn't in it for money. Posing as a philanthropic donor, a grieving executor of a family member’s will, and most recently as a Jesuit priest, Landis has given away hundreds of works over the years to a staggering list of institutions across the United States. But after duping Matthew Leininger, a tenacious registrar who ultimately discovers the decades-long ruse and sets out to expose his philanthropic escapades to the art world, Landis must confront his own legacy and a chorus of museum professionals clamoring for him to stop.
ART AND CRAFT starts out as a cat-and-mouse art caper, rooted in questions of authorship and authenticity – but what emerges is an intimate story of obsession and the universal need for community, appreciation, and purpose.
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A Murder in Abidjan
Directed by Mosco Boucault • Documentary • 1997 • 86 minutes
Warning: This film contains graphic sequences of police violence, brutality, and torture.
1995. On the outskirts of Abidjan, the largest city in Ivory Coast, a policeman is murdered. Shot outside his vehicle, while his fiancée sits in...
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What These Walls Won't Hold
Directed by Adamu Chan • Documentary • With Isabella Borgeson, Rahsaan Thomas, Lonnie Morris • 2023 • 43 minutes
Transcending the grim realities of the COVID-19 pandemic, Adamu Chan's powerful documentary, What These Walls Won't Hold, paints a poignant portrait of resilience and hope blossoming ...
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My Worst Enemy
Directed by Mehran Tamadon • Documentary • With Mehran Tamadon, Zar Amir Ebrahimi • 2023 • 82 minutes
“What are you thinking? You’re thinking, ‘This is cinema. I’m sowing seeds to create a dialogue.’ Maybe you’ll be able to open a dialogue. A dialogue without any outcome.” — Zar Amir Ebrahimi
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