The Battle of Chile (Part 1)
Latin American Docs
•
1h 35m
Directed by Patricio Guzman • Documentary • 1975 • 96 minutes
On September 11, 1973, President Salvador Allende's democratically elected Chilean government was overthrown in a bloody coup by General Augusto Pinochet's army.
Patricio Guzmán and five colleagues had been filming the political developments in Chile throughout the nine months leading up to that day. The bombing of the Presidential Palace, in which Allende died, would now become the ending for Guzmán's seminal documentary The Battle of Chile (1975-76), an epic chronicle of that country's open and peaceful socialist revolution, and of the violent counter-revolution against it.
THE BATTLE OF CHILE (Part 1): The Insurrection of the Bourgeoisie (96 minutes) examines the escalation of rightist opposition following the left's unexpected victory in Congressional elections held in March, 1973. Finding that democracy would not stop Allende's socialist policies, the right-wing shifted its tactics from the polls to the streets. The film follows months of activity as a variety of increasingly violent tactics are used by the right to weaken the government and provoke a crisis.
Up Next in Latin American Docs
-
When Two Worlds Collide
Directed by Heidi Brandenburg & Mathew Orzel • Documentary • 2016 • 103 minutes
In this tense and immersive Sundance award-winner, audiences are taken directly into the line of fire between powerful, opposing Peruvian leaders who will stop at nothing to keep their respective goals intact. On...
-
Still Burn (Algo quema)
Directed by Mauricio Alfredo Ovando • Documentary • 2020 • 77 minutes
Alfredo Ovando Candia was a military general who served as co-president of Bolivia from 1965–66 (and again from 1969–70) after overthrowing President Víctor Paz Estenssoro. His political and military service connect him to the...
-
Light Years: Lucrecia Martel and the ...
Directed by Manuel Abramovich • Documentary • With Lucrecia Martel • 2017 • 75 minutes
An illustration of filmmaking’s many stages — mysterious, delirious, playful, frustrated — and complex artistic collaboration with its subject, Manuel Abramovich’s new film concerns Lucrecia Martel during the ...