Directed by Chris Marker • Drama • With Catherine Belkhodja, Kenji Tokitsu • 1996 • 106 minutes
A woman (Laura), a computer, an invisible interlocutor: such is the setup on which LEVEL FIVE is built. She "inherits" a task: to finish writing a video game centered on the Battle of Okinawa—a tragedy practically unknown in the West, but whose development played a decisive role in the way World War II ended, as well as in postwar times and even our present.
A strange game, in fact. Contrary to classical strategy games whose purpose is to turn back the tide of history, this one seems willing only to reproduce history as it happened. While working on Okinawa and meeting through a rather unusual network—parallel to Internet—informants and even eye-witnesses to the battle (including film director Nagisa Oshima), Laura gathers pieces of the tragedy, until they start to interfere with her own life.
"A passionate and cerebral science-fiction adventure."—The New York Times
"A fascinating glimpse of a historical event that's still little known in the West."—Variety
"Marker's late masterpiece... Keeps getting more contemporary every time I watch it... Visually rich and beautifully written." —Jonathan Rosenbaum, Cinema Scope
Up Next in Avant-Garde & Experimental
-
In the Mirror of Maya Deren
Directed by Martina Kudlácek • Documentary • With Miriam Arsham, Stan Brakhage, Chao Li Chi, Rita Christiani, Maya Deren • 2002 • 104 minutes
With In The Mirror Of Maya Deren, documentary filmmaker Martina Kudlácek has fashioned not only a fascinating portrait of a groundbreaking and influential...
-
Starfish Aorta Colossus (Lynne Sachs)
Directed by Lynne Sachs • Documentary • 2015 • 5 minutes
Poetry watches film. Film reads poetry. Paolo Javier’s text is a catalyst for the digital sculpting of an 8mm Kodachrome canvas. Syntactical ruptures and the celebration of nouns illuminate twenty-five years of rediscovered film journeys. ...
-
The Fourth Watch (Jane Geiser)
Directed by Janie Geiser • Documentary • 2000 • 9 minutes
The Fourth Watch was one of Film Comment’s Top Ten Avant-Garde Films of the Decade (2000-2010)
The ancient Greeks divided the night into four sections; the last watch before morning was called the fourth watch. In the hours before dawn, ...
