Directed by Marguerite Duras • Drama • With Bulle Ogier, Dominique Sanda, Mathieu Carrière • 1979 • 90 minutes
With LE NAVIRE NIGHT, writer and filmmaker Marguerite Duras (L'Amant, India Song) explores the matrix of love, desire and language in her characteristically oblique and experimental style. The film’s lovers—played by Dominique Sanda and Mathieu Carrière—are never allowed to meet in person, instead carrying out their conversations over the phone, using unlisted phone lines leftover from the German occupation of Paris. Elliptical sequences play out in empty streets, nocturnal cityscapes and shadowy interiors, linked together only by the spectral presence of the character’s voices.
At once dreamlike, intimate and fundamentally anonymous, Le Navire Night challenges the conventional relationship between sound, image and narrative. A particularly uncompromising expression of Duras’s subversive approach to filmmaking, LE NAVIRE NIGHT stands to this day as an equally challenging and rewarding experiment in cinematic modernism.
Directed by Jim Finn • Documentary • 2003 • 13 minutes
"Finn's chilling super-max is a tour of maximum security prisons shot from a moving car, their hulking forms framed by telephone poles and power lines that divide landscape and sky. The concluding voice-over, making reference to Lewis and Cl...
Directed by Jim Finn • Documentary • 2002 • 3 minutes
"'The gerbil has long been associated with New World capitalism because of its incessant energy...' The Golden Age of Hollywood takes on the history and evolution of this delightful household pet." —International Film Festival Rotterdam
Directed by Jim Finn • Documentary • With Lois Severin • 2014 • 22 minutes
In this tape—the second in the Inner Trotsky Child video series—narrator Lois Severin is back with advice for post-Berlin Wall leftists dealing with life in the Prime Material Plane of Corporate Capitalism. Instead of a s...
