Directed by John Akomfrah • Documentary • 1996 • 45 minutes

John Akomfrah, director of Seven Songs of Malcolm X, returns with an engaging and searing examination of the hitherto unexplored relationships between Pan-African culture, science fiction, intergalactic travel, and rapidly progressing computer technology.

This cinematic essay posits science fiction (with tropes such as alien abduction, estrangement, and genetic engineering) as a metaphor for the Pan-African experience of forced displacement, cultural alienation, and otherness.

Included are interviews with black cultural figures, from musicians DJ Spooky, Goldie, and Derrick May, who discuss the importance of George Clinton to their own music, to George Clinton himself. Astronaut Dr. Bernard A. Harris Jr. describes his experiences as one of the first African-Americans in space, while Star Trek actress Nichelle Nichols tells of her campaign for a greater role for African-Americans in NASA. Novelist Ismael Reed and cultural critics Greg Tate and Kodwo Eshun tease out the parallels between black life and science fiction, while authors Samuel R. Delaney and Octavia Butler discuss the motivations behind their choice of the genre to express ideas about the black experience.

"A compelling vision of futurism in black society."—Dallas Observer

"A 45-minute meditation on black consciousness whose dense, almost chaotic weave of images and ideas offers space travel and science fiction as metaphors for the experience of the African diaspora."—Chicago Reader