Murder in the Cathedral
Britain • 1h 53m
Directed by George Hoellering • Drama • With Leo McKern, T.S. Eliot • 1952 • 114 minutes
George Hoellering’s powerful adaptation of T.S. Eliot's classic verse drama is a stark and highly atypical example of British historical cinema. Little-seen despite winning a top prize at the Venice Film Festival, the film recounts - entirely in verse - the clash between King Henry II and Archbishop of Canterbury, Thomas Becket, over the limits of church authority. As Becket finds his resolve tested by four ‘tempters’ (the last of which is voice by an unseen Eliot), the film takes on a mystical atmosphere reminiscent of the great religious cinema of Carl Th. Dreyer and Ingmar Bergman.
Cast mainly with non-professionals (though Leo McKern, in his first film, is a notable exception), the film constituted the sole acting credit for lead performer John Groser, and his depiction of Becket’s dignity and determination sits comfortably alongside those more famous portrayals of English martyrdom by Peter O’Toole (Becket) and Paul Schofield (Thomas More, The Man for All Seasons). Although the film has been seen in both 114 and 140-minute versions, the director’s preferred version is the 114-minute theatrical cut.
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Murder in the Cathedral Extras
Directed by George Hoellering • Drama • 1952 • 52 minutes
Alternative And Deleted Sequences from MURDER IN THE CATHEDRAL
00:00 Alternative opening sequence
03:58 Extended King’s Court scene
14:56 Extended scene of priest addressing congregation, deleted song & extended scene of women’s chor... -
Nice Time
Directed by Claude Goretta & Alain Tanner • Documentary • 1957 • 16 minutes
The swirling neon frenzy of Piccadilly Circus has never been better captured than in this innovative short, which presents the London landmark as a bewildering collage of image and sound.
Swiss film enthusiasts and ...
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Night Mail
Directed by Harry Watt & Basil Charles Wright • Documentary • 1936 • 23 minutes
A cornerstone of British documentary, Harry Watt and Basil Wright's NIGHT MAIL, with music by Benjamin Britten and verse by W.H. Auden, stands as a beacon for John Grierson's original purpose for documentary - to...
