Directed by Sam Cullman, Jennifer Grausman and Mark Becker • Documentary • With Mark A. Landis • 2014 • 90 minutes
Mark Landis has been called one of the most prolific art forgers in US history. His impressive body of work spans thirty years, covering a wide range of painting styles and periods that includes 15th Century Icons, Picasso, and even Walt Disney. And while the copies could fetch impressive sums on the open market, Landis isn't in it for money. Posing as a philanthropic donor, a grieving executor of a family member’s will, and most recently as a Jesuit priest, Landis has given away hundreds of works over the years to a staggering list of institutions across the United States. But after duping Matthew Leininger, a tenacious registrar who ultimately discovers the decades-long ruse and sets out to expose his philanthropic escapades to the art world, Landis must confront his own legacy and a chorus of museum professionals clamoring for him to stop.
ART AND CRAFT starts out as a cat-and-mouse art caper, rooted in questions of authorship and authenticity – but what emerges is an intimate story of obsession and the universal need for community, appreciation, and purpose.
Up Next in Museums, Collectors and the Art Market
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Art and Oligarchs
Directed by Tania Rakhmanova • Documentary • 2010 • 52 minutes
A popular trend among Russian oligarchs is to purchase works of art. Why? It's a way to get into the Kremlin's good graces, to gild their image...and to cover up the origin of their fortunes, often acquired in the shadow of post-Sovi...
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Beltracchi: The Art of Forgery
Directed by Arne Birkenstock • Documentary • With Wolfgang Beltracchi, Henrik Hanstein, Sofia Komarova • 2015 • 93 minutes
For nearly 40 years, Wolfgang Beltracchi fooled the international art world and was responsible for the biggest art forgery scandal of the postwar era. An expert in art hist...
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Black Is the Color: A History of Afri...
Directed by Jacques Goldstein • Documentary • 2017 • 52 minutes
In 1969, the Metropolitan Museum of Art in New York mounted a major exhibit called “Harlem On My Mind.” There was just one thing wrong: the show had no work by African-American artists.
The “Harlem on My Mind” fiasco is emblematic ...
