A portrait of the painter Rose Wylie. I met Rose quite a few years ago and we became good friends. I asked her if I could make a film about her and she agreed. The film, finally, is a meeting between two friends, made sporadically over a year. Much like when Rose begins a painting, making a filmic portrait is an open engagement; the exact form will reveal itself in the making. I began by visiting Rose repeatedly at her house in Kent, filming her in her studio, house and garden. The film grew from modest beginnings and became much longer than intended, mainly because I wanted to keep returning to see Rose.